
Kabaret's
Prophecy Turbosound
loudspeakers figure heavily in the sound of numerous clubs
and bars around the world, with London-based Electracoustic
responsible for many club sound systems in its home
territory. Specialising
in compact, high-quality installations that help solve
quality and noise leakage issues in smaller venues,
Electracoustic's skills come into play particularly in the
central London area, where clubs are often located among
private residences, or in close proximity to other venues
and businesses. The company's most recent projects include
Kabaret's Prophecy, a prestigious club in central London
featuring Turbosound's QLight systems, and Bar 98, a
stylish bar/restaurant in the city's Stoke Newington area
that has been nominated for Technology Bar of the Year 2004
(Theme magazine). A
Biamp Audia digital processor is used to control the system,
set up with presets to manage the multiple volume levels
that can be selected - for example, the installation's
volume limit can be raised once the restaurant above has
closed for the night. The overall results give the club's
DJs want they need in terms of quality and performance,
while balancing these needs with the stringent environmental
health requirements of the locality." Electracoustic's
installation at Bar 98 also typifies the company's approach
with smaller venues, and employs a combination of
Turbosound's compact mid-high TCS-35 enclosures, with
TSB-110 and TQ-115 bass systems. This approach is favoured
by Electracoustic, due to the smooth-sounding top end of the
TCS-35's titanium tweeter, which continues Turbosound's
tradition of HF performance and reflects its philosophy of
using the compression drivers of larger systems in the
higher end of their frequency range. Although
not designed as a full-on club environment, Bar 98 does tend
to get louder as the evening progresses, and the brief
called for a high-quality background system during the day,
but with sufficient capacity and headroom to handle a live
band or DJ at night. Featuring sophisticated video systems,
including large plasma and LCD screens, the venue is spread
across two floors. The upper level utilises six TCS-35's in
a distributed system supported at the low end by four
TSB-110 bass units mounted under seat bases. Electracoustic
has installed a similar arrangement for the lower floor,
using six TSC-35's again, together with two TQ-115 bass
enclosures. The
TCS-35 units are suspended from anti-vibration ceiling and
wall brackets, similar to those used for Kabaret's Prophecy.
Powered by MC2 amplifiers, the system is controlled via a
BSS Soundweb. Electracoustic has been installing Turbosound
loudspeakers in the London club scene for over ten years,
with its numerous credits including Heaven Nightclub in
Charing Cross, with Turbosound TXD and Impact series
loudspeakers, in addition to older models. Turbosound TCS
units also feature in Eagle, a West End bar/diner; in
Escape, a Soho video bar, and in Bar Kudos, another stylish,
up-market venue in the Charing Cross area. In
addition, Electracoustic has installed Turbosound products
into other types of commercial premises, including two
restaurants in the Barbican Centre.

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Venue:
Prophecy
Location: London, UK
Venue-type: Bar / restaurant
Loudspeaker system:
QLight series
Although
a small and intimate venue, Kabaret's Prophecy is finished
and equipped to a very high standard, having completed an
intensive refurbishment programme earlier this year. Located
below a restaurant and jazz club, Kabaret's Prophecy
presented Electracoustic with a difficult noise emission
challenge to solve, in addition to the acoustic issue of the
venue's low ceiling. Electracoustic's Jon Trotter explained:
"We specified Turbosound's QLight loudspeakers for the
dance-floor system, installing four TQ-310 enclosures with
two TQ-115 bass units, due to the products' sound quality
and price/performance ratio. The TQ-310's asymmetric
trapezoidal format, together with the design's rotatable HF
horn, also made it easy for us to slot the systems into
custom recessed housings built into the room's false ceiling
- an approach we adopted to address the low room height. To
help solve the noise leakage issue, we used custom
anti-vibration hanging points, with neoprene inserts. The
TQ-115 bass enclosures are enclosed in a retro finish
housing, and are mounted on vibration-absorbent matting to
minimise flanking transmission through the
structure.